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Thappad is a Best Movies of Bollywood 2020 Indian Hindi-language drama film directed by Anubhav Sinha, which he also co-produced with Bhushan Kumar of T-Series.
The film, starring Taapsee Pannu, was released in theatres on 28 February 2020
Thappad Story: Amrita’s (Taapsee Pannu) world comes crumbling down when her fiercely ambitious husband, Vikram (Pavail Gulati), lands a mighty slap across her face at a celebration that was imagined to celebrate his success within the corporate world. Will Amrita, whose life up to now has revolved around Vikram’s needs, wants and dreams, rise up and speak up against this humiliation in public? Or will she brush it off as a one-off incident, forgive him and move on? Or will this shake up her own beliefs about life and marriage?
Thappad Review: Hailing from a loving and supportive family in Delhi, and trained in Indian classical dance, Amrita’s life could have taken a special course but she harboured the dream of being the most effective housewife ever, whether or not that meant relinquishing on her passion for dance. Vikram could be a go-getter, and has his mind and heart assail his goals and he will do everything in his capacity to realize it. But, in an exceedingly moment, he realises that his big dreams are on the brink of get shattered, blame it on office politics. Vikram does the unthinkable — his pent-up frustration finds an outlet in his committed wife, within the kind of a thunderous slap that’s witnessed by loved ones from each side. And, this sparks the start of an unsightly, emotional battle which fits beyond force. While the uncalled for incident makes Amrita delve upon and question her life choices and their marriage, Vikram continues to measure in denial and wonders how ‘just one slap’ is popping intent on be a life-changing moment. (Best Movies of Bollywood)
Dangal may be a 2016 Indian Hindi-language biographical sports drama film directed by Nitesh Tiwari and produced by Aamir Khan, under his studio Aamir Khan Productions with UTV Motion Pictures and film maker Pictures India.
Loosely supported the Phogat family, Aamir Khan stars as Mahavir Singh Phogat, a pehlwani amateur wrestler who trains his daughters Geeta Phogat and Babita Kumari to become India’s first world-class female wrestlers. Fatima Sana Shaikh and Sanya Malhotra portray the adult versions of the 2 Phogat sisters, Zaira Wasim and Suhani Bhatnagar their younger versions, Sakshi Tanwar their mother, and Aparshakti Khurana their cousin.
Dangal is both inspiring and entertaining
Dangal Story: When Mahavir Singh Phogat (Aamir), a wrestler from Haryana, loses hope of getting a son, he trains his daughters Geeta (Fatima) and Babita (Sanya) to create wrestling history, thus breaking the taboo of Indian women participating in a very sport up to now dominated by men.
Dangal Review: In the story department, Dangal offers few surprises because Geeta and Babita’s historic wins at the Commonwealth Games and following championships are general knowledge. However, this screen adaptation is a recap of their arduous journey and it vigorously recaptures their stubborn father’s resolve to form them professional wrestlers against the chances. Since it encapsulates the historic wins of the Phogats, who brought India glory, the film is additionally certain to inspire more women to noticeably consider kushti as a sport.
What works wonderfully here is that the writing. Director Nitesh Tiwari, together with Piyush Gupta, Shreyas Jain and Nikhil Mehrotra should be complimented for his or her tongue-in-cheek quality, peppered with humor and a number of other poignant father-daughter emotions at some stage in. Of course, a touch bit is lost in translation thanks to the Haryanvi twang. But, messages on our obsession with the lad (prevalent since the dark ages), myopic stand on observing our daughters and therefore the administration’s pathetic disposition towards sports, are loud and clear.
It is to the film’s credit that though Geeta and Babita’s wins are documented, it still manages to interact the viewer with the wrestling tournaments and convey patriotic emotions to the fore. most significantly, Dangal scores with its first-rate performances. An ungainly Aamir (22 kilos heavier) with grey hair is pitch-perfect because the ziddi yet sensitive parent.
The 51-year-old actor should be complimented for experimenting together with his roles, unlike his contemporaries preferring to play safe. Sakshi as his wife, is restrained, yet effective. And, the debutants Fatima and Sanya are easily this year’s best finds.
Music director Pritam and lyricist Amitabh Bhattacharya manage an earthy soundtrack with Daler Mehndi’s title track pumping up the adrenaline. Also, the soft track Gilheriyaan, the Haryanvi rap and hip-hop Haanikarak Bapu and also the Dhakaad number, are in perfect tandem with the narrative.(Best Movies of Bollywood).
3. UDTA PUNJAB
Udta Punjab could be a 2016 Indian comedy crime drama film co-written and directed by Abhishek Chaubey. it’s loosely supported and revolves round the misuse by the youth population within the Indian state of Punjab and also the various conspiracies surrounding it. Produced by Shobha Kapoor and Ekta Kapoor under their banner Balaji Motion Pictures, in association with Anurag Kashyap’s production house Phantom Films, it features an ensemble cast consisting of Shahid Kapoor, Alia Bhatt, Kareena Kapoor and Diljit Dosanjh
Story: Four parallel tracks, that of a Punjabi rockstar, Tommy Singh (Shahid kapoor ) a Bihari migrant, Kumari Pinky (Alia bhatt ); a Sikh cop, Sartaj (Diljit) and a doctor, Preet (Kareena) address the insurgence of the drug menace in Punjab. Their lives are sometimes linked to 1 another but usually not.
Review: Welcome to Chaubey’s Punjab; a world you will not inhabit, but cannot ignore. As notorious as Mexico within the current context, the state that’s known for wrestlers and wheat, serves up heroin, opium, cocaine faster than parathas and lassis.(Best Movies of Bollywood).
Yes, Punjab the land of the five rivers, may be a description only reserved for the text-books. In reality, it’s an area besieged by cartels, cocaine and corrupt cops.The films opens with a discus thrower from across the border flinging a packet into a jungle in Punjab within the dead of the night. The pink powder lands within the lap of the Bihari player who works within the fields. so begins her tryst with the contraband.
Cut to the tattooed-gun-toting world of Tommy. He’s a task model for the youth. Unfortunately he’s also a junkie masquerading as an Alpha male, who can only make music when he’s ‘coked up’ to his eyeballs.
Then there’s Inspector Sartaj and his superior (Manav Vij) who haven’t any qualms about taking blood money. Sartaj’s conscience only stirs when he realises his younger brother, Prabhjyot Singh (Balli) may be a victim.Completing the quartet is that the nurse doctor who rehabilitates addicts and moonlights as a reporter, hoping her report on narcotics will save the day.Chaubey uses a part-documentary-part-mainstream approach here. Post interval, the film is typically too indulgent and sluggish.(Best Movies of Bollywood).
Also this can be not your sunny-side up cinema. it’s stark and causes you to cringe. However, its victory lies in making you empathise with its characters. As Alia and Shahid, both victims of drug and physical abuse fight their demons and destinies, you shed a silent tear. Shahid has his act pat but Alia beats everyone hollow. Kareena and Diljit are adept. This review also doffs a hat to the nuanced performances of Satish Kaushik, Prabhjyot Singh and Manav Vij. (Best Movies of Bollywood)
Important: plenty of the dialogues are in Punjabi but the subtitles help.
Pink could be a 2016 Indian Hindi-language social thriller film directed by Aniruddha Roy Chowdhury and produced by Rashmi Sharma Telefilms (Pawan Kumar and Rashmi Sharma), Sheel Kumar and Shoojit Sircar. It stars Amitabh Bachchan, Taapsee Pannu, Kirti Kulhari, Andrea Tariang, Angad Bedi, Tushar Pandey, Piyush Mishra, and Dhritiman Chatterjee. it absolutely was released on 16 September 2016.
The film received widespread critical acclaim, and garnered the National Film Award for Best Film on Other Social Issues
The film completed a 50-day run in theatres.The film is remade in Tamil as Nerkonda Paarvai (2019) and in Telugu as Vakeel Saab (2021).
Three affluent men, Raunak, Vishwajyoti, and Rajveer Singh rush to the closest hospital because Rajveer is bleeding from a significant injury to his head. At the identical time, three women — Minal, Falak and Andrea — return to their apartment in an exceedingly taxi. they give the impression of being disoriented, and it’s implied that they need something to try and do with the incident.
The three women are independent and live together. they fight to maneuver on from what happened that night. During Minal’s morning runs, she is observed by an old man in her neighbourhood, Deepak, who senses there’s something wrong. Threats arise from Rajveer’s friend Ankit, who pushes for revenge for the injury Minal caused Rajveer. The threats lead to Falak losing her job. they’re discouraged from filing a complaint, stating it’d make their daily lives more miserable. In reality, the local police are aware that the boys are “well-connected” and backed by Rajveer’s uncle Ranjit, an influential politician. Minal goes to a higher-standing law officer and files a complaint.
Pink grossed approximately ₹4.32 crore on first day in India.The first weekend collection was ₹21.51 crore.
At the top of seven days the domestic box office collection was ₹35.91 crore.Pink grossed ₹50 crore in first 10 days in India.
5.Gunjan Saxena: The Kargil Girl
Gunjan Saxena: The Kargil Girl a 2nd Best Movies of Bollywood 2020 Indian Hindi-language biographical drama film directed by Sharan Sharma and produced under Dharma Productions and Zee Studios. The film stars Janhvi Kapoor as Indian Air Force pilot Gunjan Saxena, one amongst the primary Indian female air-force pilots in combat, alongside Pankaj Tripathi and Angad Bedi in supporting roles.
Principal photography commenced in February 2019 and was committed in October; it absolutely was extensively filmed across Lucknow.thanks to the COVID-19 pandemic, the film was unable to release theatrically and was picked up for distribution by Netflix. it had been released globally on 12 August 2020.
Gunjan Saxena has skillful the row over her biopic, Gunjan Saxena The Kargil Girl, saying that a ‘small group of individuals (are) trying to dent this hard-earned reputation with nonsensical rants’.The real-life Gunjan Saxena has capable the row round her biopic, Sharan Sharma’s Gunjan Saxena: The Kargil Girl, saying that she is trying to clear the dust after “some people have tried to distort the essential founding values of my existence and identity”.
The Janhvi Kapoor film has been within the eye of storm with the Indian Air Force (IAF) writing a letter to the Censor Board objecting to its “undue negative” portrayal. variety of IAF officers, including Gunjan’s coursemate, Flight Lieutenant Sreevidya Rajan (retd), have claimed that facts are being ‘twisted’ by the filmmakers.(Best Movies of Bollywood)
Panga could be a 2020 Indian Hindi-language sports film directed and co-written by Ashwiny Iyer Tiwari and produced by Fox Star Studios, supported a script written by her and Nikhil Mehrotra, with Nitesh Tiwari providing additional script inputs. Kangana Ranaut and Jassie Gill star within the lead roles, while Yagya Bhasin, Neena Gupta, Richa Chadha, Megha Burman and Smita Tambe appearing in supporting roles.
Shot largely in Panaji, Bhopal, Mumbai and Kolkata, the film was released in India on 24 January 2020.The film received positive reviews, praise for Ranaut’s performance, and grossed ₹41.71 crore. For her performance in Panga, Ranaut won a National Film Award for Best Actress at the 67th National Film Awards, 2021. This was Ranaut’s third win within the category and overall her 4th National Film Award.
Story: When Jaya’s passion for kabaddi is reignited, she decides to create a comeback to the game, at the age of 32. But will or not it’s a simple ride back to the national team, now that she is riddled with domestic responsibilities as a mother and wife.
Review: Jaya Nigam’s (Kangana Ranaut) life is steeped in domesticity – motherhood and employment at the railways – when somehow a passion she had laid to rest years back, catches up together with her. At just once, the captain of the national kabaddi team, she now juggles life between her seven-year-old son, Adi (Yagya Bhasin), household chores and her humdrum job. And amidst all this, she barely manages time for herself although her husband, Prashant (Jassie Gill) is supportive enough and that they share a beautiful relationship. Moreover, Jaya is that the all-out doting mother, extra cautious and always anxious. So when Adi stumbles upon the very fact that she accustomed be a star player and needs to work out her play again, she decides to oblige, whether or not just to humour him for a brief while.
And although that’s how it starts off, Jaya soon realises that her heart is ready on regaining her lost glory and fulfilling a dream she left mid-way. But now saddled with all the domestic responsibilities, will it’s a straightforward decision to make? And also, after a seven-year hiatus will she find an area within the team again, amongst a way younger and enthused team.(Best Movies of Bollywood).
7.Tanhaji: The Unsung Warrior
Tanhaji: The Unsung Warrior may be a 2020 Indian Hindi-language historical action film co-written and directed by Om Raut and produced by Bhushan Kumar, Krishan Kumar and Ajay Devgn under T-Series Films and Ajay Devgn FFilms. This film was also release dubbed in Marathi-language following popular deman. Tracing the lifetime of Maratha warrior Tanaji Malusare, it stars Ajay Devgn, Saif Ali Khan and Kajol within the lead roles. It also features Sharad Kelkar and Luke Kenny in supporting roles. Set within the 17th century, it revolves around Tanaji’s attempts to recapture the Kondhana fortress once it passes on to Mughal emperor Aurangzeb who transfers its control to his trusted Rajput guard Udaybhan Singh Rathore.
Tanhaji: The Unsung Warrior’ Story: The film traces the lifetime of the fierce Maratha warrior, Tanhaji Malusare, who was one in all Chhatrapati Shivaji Maharaj’s closest aides and a leader. It focuses on the famous Battle of Sinhagad (February 4, 1670), which saw Tanhaji tackle Udaybhan, a Rajput who fought for Aurangzeb against the Marathas.
‘Tanhaji: The Unsung Warrior’ Review: Under the Treaty of Purandar, Chhatrapati Shivaji Maharaj (Sharad Kelkar) surrendered 23 forts to Aurangzeb (Luke Kenny), including the Kondhana (now called Sinhagad), which was of strategic importance. Rajmata Jijabai (Padmavati Rao) swore that she would walk bare feet till the fort is recaptured by the Marathas. Four years later, Aurangzeb sends Udaybhan (Saif Ali Khan) with an enormous army and an enormous canon called ‘naagin’, to make sure that Chhatrapati Shivaji Maharaj cannot reclaim the fort. While Shivaji Maharaj plans a campaign, he doesn’t want to send his trusted lieutenant and dear friend, Subedar Tanhaji Malusare on the battlefield, because the latter’s son is getting ready to get hitched with. When Tanhaji gets to grasp of the ‘mohim’ (campaign), he implores Shivaji Maharaj to grant him a chance to win Kondhana. His wife, Savitribai (Kajol) proves to be his silent strength. Despite the evil intentions of some like Pisal (Ajinkya Deo), Tanhaji manages to form inroads into the fort that’s considered impregnable. A fierce battle ensues where Tanhaji fights the deadly Udaybhan. While the story is thought, several creative liberties are taken to capture the eye of the audience.(Best Movies of Bollywood)
Ajay Devgn is in top form playing the braveheart Maratha warrior, Tanhaji, with all his might. He powers through with subtlety and restraint while keeping the patriotic passion high in the least times. Kajol as Tanhaji’s strong and supportive wife, Savitribai, makes her limited screen time count with a convincing performance. Saif as Udaybhan overpowers; he brings out the brutality and devilish streak of his character with finesse and ferocity. In some moments of his evil madness, he actually adds a tinge of humour to the scene, while breaking into a sinister laugh himself. this is often one among Saif’s greatest performances. Another division of the film is that the casting of the key characters. Sharad Kelkar as Chhatrapati Shivaji Maharaj looks the part and brings the desired gravitas to the a part of the warrior-king
Good Newwz may be a 2019 Indian Hindi-language comedy film directed by Raj Mehta in his directorial debut and produced by Karan Johar, Apoorva Mehta, Hiroo Yash Johar, Shashank Khaitan and under their respective banners Dharma Productions and Cape of fine Films. Starring Akshay Kumar, Kareena Kapoor Khan, Diljit Dosanjh and Kiara Advani within the lead roles, the film revolves around two couples tryst with in vitro fertilisation.The shooting commenced in November 2018 and was completed in April 2019. it absolutely was theatrically released in India on 27 December 2019.
Good Newwz Story: When a pair trying to own a baby, are unable to conceive naturally, they commit to select an IVF (in-vitro fertilization) procedure. But a mixture up by their doctor ends up in much confusion.
Good Newwz Review: Deepti (Kareena Kapoor Khan) and Varun Batra (Akshay Kumar) are a fancy, high-flying marriage, living in Mumbai and are much involved their respective careers. Deepti also has her heart assault having a baby and after trying for some years then, some prodding by the family, both Varun and he or she commit to consult one in every of the most effective fertility specialists within the city. The doctor advises IVF and that they are ready for it. Only hitch, few days after the procedure is thru, Deepti and Varun are told there has been a sperm mix-up with another couple with the identical cognomen. Enter ‘the Batras from Chandigarh’ into their lives.
Through much of its runtime, director Raj Mehta ensures that ‘Good Newwz’ stays faithful its genre with several light-hearted and funny moments. boost that, the pace of the film stays mostly tight. Although given the topic and premise the narrative, at times, treads into a problematic zone and stance. and a few of the jokes seem off-colour. There’s also a bent to over explain and simplify in some portions which stick out. Also, the screenplay barely scratches the surface when it involves going in the depth and complexity of matters.(Best Movies of Bollywood).
Sir could be a 2018 Indian Hindi-language romantic drama film directed by Rohena Gera. The movie stars Tillotama Shome and Vivek Gomber and was produced by Rohena Gera and Brice Poisson. Sir had an initial release at the Cannes festival followed by theatrical release in European countries in 2018.The film was theatrically released in India on 13 November 2020.
STORY: Soulmates are found within the most unexpected places. Two people divided by societal norms and united by their quiet love, understanding and mutual respect, empower one another as they exchange meaningful glances, speak through silences and wonder what lies ahead for them.
REVIEW: The male protagonist of the film — U.S returned architect Ashwin (Vivek Gomber), while discussing relationship woes with an exponent says, that he can’t be the guy who messages or calls a girl randomly if that’s what she expects. some scenes later, he picks up the phone and calls Ratna (Tillotama Shome), his live-in Maharashtrian maid, who is on a 3-day leave for her sister’s wedding in an exceedingly village. a touch lost without her in his own house, when asked by her, “Sir, Kuch kaam tha kya?”, he replies after a short pause, “Nahi, Aise hi phone kiya.” They don’t talk much but that telephone call is enough for either to understand what it means. Love causes you to do stuff you tell yourself you won’t.(Best Movies of Bollywood).
Director Rohena Gera’s SIR comprises exquisite moments like these. they assist you interpret unsaid feelings between two people, who find their soulmate within the impossible scenario. Gera masterfully uses the language of silence and juxtaposes the lead characters to bring out their commonalities despite the huge class disparity. Loneliness and emotional turmoil doesn’t differentiate between the rich and poor.
Bala may be a 2019 Hindi-language satirical comedy film directed by Amar Kaushik, written by Niren Bhatt, co-written by Ravi Muppa, and produced by Dinesh Vijan, supported an artless story by Bengali film maker Pavel Bhattacharjee about the lifetime of Rohit Sood. Ayushmann Khurrana stars because the titular character, Balmukund Shukla, a young man living in Kanpur who is stricken by male pattern baldness, and also the story is about his lack of confidence and societal pressure that comes with premature balding. Another theme within the film is colourism. Bhumi Pednekar, Yami Gautam, Javed Jaffrey, Saurabh Shukla, and Seema Pahwa feature in supporting roles.
Principal photography began on 6 May 2019 in Kanpur and also the film was also shot in Mumbai and Lucknow. The soundtrack was composed by Sachin–Jigar; the film released in preview shows on 7 November 2019 and Indian theatres on the subsequent day. Made on a budget of ₹250 million (US$3.5 million), Bala received generally positive reviews from critics, and it grossed ₹1.71 billion (US$24 million) worldwide. Later, it earned 3 nominations at the 65th Filmfare Awards – Best Actor for Khurrana, Best Supporting Actress for Pahwa, and Best Dialogue for Bhatt. The film was showcased in Indo-German Filmweek 2020 in Berlin on 27 September 2020.(Best Movies of Bollywood).
Bala Story: Balmukund Shukla aka Bala (Ayushmann Khurrana) tries all varieties of hacks to grow back his silky smooth hair, but to no avail. Finally, he finds a fix, but will that bring him permanent happiness?
Bala Review:” Hum aapki khubsoorti ka raaz hai, aapke sarr ka permanent taj hai.” Attention, this is often your hair talking which is how Bala begins. a unusual voice-over (Vijay Raaz) sets the stage for a fun ride at the expense of the film’s hero. he’s all of 25, but looks way older, due to his diabetes and bald pate that has replaced what was once a dreamy crop of silky hair.
His childhood sweetheart has also left him and he’s demoted at his job because the salesman for a women’s fairness cream. But, Bala isn’t a sobering mess. Instead, he takes the challenge head on (no pun intended). Bala doubles up as a humorist where he imitates Bollywood stars and is actively seeking various remedies for his hair loss. These range from ridiculous to bizarre. The situational comedy brings ample opportunities for the primary half to be high on fun with witty one-liners that may leave you in splits. Ayushmann owns every scene making Bala’s plight look believable additionally as hilarious. He gets the Kanpur accent bang on with accurate visual communication and other nuances. you’ll empathise with him but he never comes across as a pitiful character even when his chips are down. All because of the smart writing of story, screenplay and dialogues by Niren Bhatt.
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